Here are some examples (you can download the raw files HERE for personal use only).

Since X-Transformer rearranges the Xtrans color array into a typical Bayer array, the resulting digital negative will appear in Adobe softwares without the usual artifacts. This generates the 'waxy watercolor' effect that many would notice on foliage and fine detail. Therefore, Adobe is prone to skip colors and create voids of information that will need blending later on. Since Fuji's Xtrans sensor array is different from that of typical Bayer camera sensors, the sequence of colors is usually confused by the Adobe Camera Raw engine. Since C1 offered marginal improvements to my results at the sacrifice of a steep learning curve and inferior 'file stretching' abilities, I chose to continue working with Lightroom. As such, C1 and C1 Fuji is one and the same. Last time I spoke with the Fuji representatives, they told me Fuji simply paid Capture One to have the name appear next to the software name without much optimization. While I can understand its use for absolute images, it lacks the workflow speed and intuitiveness of Lightroom which I use on a daily basis for a living. When shot at Auto DR + Auto ISO + Exposure compensation Zero, the resulting file allows an insane level of flexibility with full highlight and shadow recovery (unlike my Nikon NEFs which only allow shadow recovery). While Fuji JPGs are pleasing to most Fuji users, I prefer exploring the full potential of the Fuji raw file in order to reach a level of visual fidelity to the content I chose to capture.

Iridient x transformer lightroom plugin